As a training ground for imaginative flexibility Footnotes fosters simultaneous stories and colliding worlds through the creation and negotiation of a shared gamespace. To revise a world means to look at it repeatedly in a new light. Worlding is also the unmaking of the world: it requires us to rethink our relation to the environment and our own role within it.

Colliding worlds are confronting. Their crashing can make a mess in our shelf of convictions as it unravels the seams of our thinking fabric and yet, this is a proposal to embrace complexity, leaving the comfort of one's own skull or self applauding filter bubble.

Once we have shattered the illusion of the universal, what are the implications of this such relativism for public and artistic discourse? How can we construct a common place in which multiple worlds intermingel instead of drifting apart in a fight about the centerstage?

Collective Worlding produces flexible, relational, opaque, incoherent (inter)subjectivities. It may open ourselves to other forms of knowing, reconnect us to our sensual and social bodies and lay foundations for new forms of cohabitation.